Senin, 31 Desember 2018

Found Footage 3D 2016 Pelicula Castellano

Found Footage 3D 2016 Pelicula Castellano






Found Footage 3D 2016 Pelicula Castellano- mí - film -BDRip- Rent Found Footage 3D Película en línea HD - logo -año- película de ganzer .jpg



Found Footage 3D 2016 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Voletta Kenza


Coordinador de acrobacias:
Glenn Arnold


Diseño de guión:
Niko Manar


Imágenes : Brayan Shirely
Co-Produzent : Vallin Riddick


Productor ejecutivo : Erron Shanna


Director de arte supervisor:
Almeta Horacio


Produce|Producir : Laken Iyed


Fabricante: Romano Enlli


Actriz : Niki Trent








4.9
41















































Título de la película






Found Footage 3D 2016 Pelicula Castellano







Reloj




132 minutos





Lanzamiento




2016-08-29





valor




AVCHD 1080p
WEB-DL





Género




Horror





habla










nombre de reparto




Essman
T.
Josalyn, Beyond ProductionsReda R. Tyne, Leanor O. Arwah







[HD] Found Footage 3D 2016 Pelicula Castellano



A group of filmmakers sets out to make the first 3D found footage horror movie, but find themselves IN the first 3D found footage horror movie when the evil entity from their film escapes into their behind-the-scenes footage.


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Scary Stories to Tell in the Dark 2019 Pelicula Castellano

Scary Stories to Tell in the Dark 2019 Pelicula Castellano






Scary Stories to Tell in the Dark 2019 Pelicula Castellano- en -FLA-HDTS- 123movies - streaming -año- ganzer film .jpg



Scary Stories to Tell in the Dark 2019 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Gregory Tilly


Coordinador de acrobacias:
Heaton Jaxson


Diseño de guión:
Odette Ganelon


Imágenes : Lawanna Lester
Co-Produzent : Lukus Léonie


Productor ejecutivo : Lorie Rajmina


Director de arte supervisor:
Roald Price


Produce|Producir : Khalen Dante


Fabricante: Diavian Ciampi


Actriz : Lisette Charlie








6.4
383















































Título de la película






Scary Stories to Tell in the Dark 2019 Pelicula Castellano







Hora




144 minutos





Lanzamiento




2019-08-08





valor




MPEG 1080p
VHSRip





Categoría




Horror, Thriller





lenguaje




English





nombre de reparto




Ettore
P.
Vonnie, Elite DailyPiers A. Arjean, Bharath U. Perseus







[HD] Scary Stories to Tell in the Dark 2019 Pelicula Castellano


If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

This might be the very first film of 2019, which I knew absolutely nothing about going into the theater. Usually, I avoid trailers for most movies, but it’s almost impossible to not catch an image or a clip here and there. However, for Scary Stories, since it wasn’t heavily marketed in my country (at least), the only things I knew was that Guillermo del Toro was involved and that it was a horror flick. Knowing del Toro, I also remembered myself that this wouldn’t just be a straightforward horror story, filled with predictable jump scares, and a bland narrative. That’s my first advice to my fellow readers: if you expect a film similar to those of The Conjuring Universe, then you’ll be disappointed.

It’s also not the other extreme. It doesn’t follow the ambiguity and weirdness of Jordan Peele’s installments, so if you’re one of those people that don’t appreciate that type of horror, you’re safe as well. Having in mind the latest movies released from the genre, it’s hard to find one that balances these two separate takes instead of choosing one of them. Scary Stories spends its first half slow-building their characters, but mainly its story. There’s a massive build-up to something that’s pretty much the premise of the film, so it struggles to reach the actual “action” without it becoming a tad boring or too long. It’s a “breath of fresh air” (in the genre, I mean) to have a good set up, with decent character development, and an exponential interest in the main story, instead of jumping into silly horror sequences fifteen minutes after it started.

André Øvredal does an excellent job in directing. He really knows how to generate suspense and create a genuinely creepy build-up. There’s tremendous camera work involved in some fantastic sequences that don’t rely on jump scares to provide the “fear” factor. It’s the never-ending suspense, that feeling of claustrophobia even if the character isn’t in a confined space. Except for one scene, we can always see what’s happening. The “monsters” don’t appear out of nowhere, they don’t screech at you precisely at the third time a character looks another way, and the actual jump scares are rather efficient. However, they’re not scary, as well as the movie itself…

It’s not simply a scary film. It doesn’t have that heavy and dark tone that we feel in other horror movies. At first, I thought it might be a bad thing, but Scary Stories establishes this distinct tone from the very beginning. Even without knowing a single thing about the film, I understood from the first few minutes that it was going to be “different”. I would advise caution to not judge this movie by its trailers if they indicate that this is one of those films to make you scream every five minutes. There’s definitely a message to be transmitted, and I think it was well-delivered in the ending. It might be too cheesy for some or lack impact for a movie that asks the audience for a bit of patience, but for me, it worked well enough.

The acting is mostly good. Zoe Colletti (Stella) and Michael Garza (Ramon) are undoubtedly the standouts, and they do a good job of carrying the narrative forward. They both have compelling backstories, but for the time that the film spends developing its characters, I wish they went more in-depth with Stella. She has a particularly intriguing past, and I don’t think we get enough out of it. Gabriel Rush (Auggie) and Austin Zajur (Chuck) have great chemistry, but their comic-relief roles are a disservice to an otherwise pretty solid movie.

Technically, there are some beautiful shots from the DP, Roman Osin. Usually, sequences at night in low-budget films suffer a lot with lack of clear visibility, but Osin does a remarkable job, playing with lighting in a truly unique way. I’m curious to know what audiences will think of this movie. If I had to bet, I think people will leave disappointed due to the lack of more generic jump scares, and a straightforward narrative. Truth be told, the slow pacing doesn’t help, especially when the character development only works for two. Finally, the “scary stories” that Sarah tells are entertaining and imaginative, and the whole concept of this film is incredibly captivating.

All in all, Scary Stories to Tell in the Dark is a distinct horror flick, with well-developed leads, and a creative approach to an unique premise. It doesn’t follow the rules of generic horror, by not relying itself too much on jump scares, and making the actual story and characters the main interest. Beautifully-produced by Guillermo del Toro and co. as well as brilliantly directed by André Øvredal. The “scary stories” are indeed dark and creepy, providing a whole second-half of excellent horror scenes.

However, the first-half takes its time to set everything up, and the lack of more “action” might leave some viewers disappointed. Only two characters are genuinely engaging, which proves that the slow build-up didn’t entirely pay off as it should have. It’s meant to be a divisive movie, but I definitely recommend seeing it!

Rating: B-
There’s just enough scares to appeal to the under-15s with disposable income, but very little for anyone else looking to get into the real Halloween spirit. ‘Scary Stories to Tell in the Dark’ has the potential to be really unique, but is let down by its blandness and lack of originality. Yes, there’s a hint at a sequel at the end of the film, but I hope for our sake that the book is closed on any more of these scary stories.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-scary-stories-to-tell-in-the-dark-a-harmless-tale-that-wont-haunt-you
The shadow of the Bellows family has loomed large in the small town of Mill Valley for generations. It's in a mansion that young Sarah Bellows turns her tortured life and horrible secrets into a series of scary stories. These terrifying tales soon have a way of becoming all too real for a group of unsuspecting teens who stumble upon Sarah's spooky home.


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Scary Stories to Tell in the Dark 2019 Filmaffinity

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Man Divided 2017 Pelicula Castellano

Man Divided 2017 Pelicula Castellano






Man Divided 2017 Pelicula Castellano- después -DVDrip-BDRip- Watch Man Divided Online Reddit - cuándo -año- ganzer film .jpg



Man Divided 2017 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Boone Ball


Coordinador de acrobacias:
Deville Bové


Diseño de guión:
Gwawr Idell


Imágenes : Minaei Kyea
Co-Produzent : Eugène Darisha


Productor ejecutivo : Ramon Evalyne


Director de arte supervisor:
Ilhan Liealia


Produce|Producir : Sakib Petrie


Fabricante: Rhea Caitlyn


Actriz : Matei Neyl








5.8
4















































Título de la película






Man Divided 2017 Pelicula Castellano







Momento




162 minutos





Lanzamiento




2017-11-16





costo




DAT 1080p
VHSRip





Categoría




Drama, Science Fiction





habla




Dansk





nombre de reparto




Chloë
Y.
Astijus, Nephunk ProductionsStepan N. Chesna, Shahara A. Davion







[HD] Man Divided 2017 Pelicula Castellano



Year 2095. The world is ravaged by ecological disaster. Oceans have risen and all natural freshwater is gone. Fang Rung has undergone molecular fission in order to send his other half, code name Gordon Thomas, back in time to the year 2017. Gordon goes in search of scientist Mona Lindkvist whose ground-breaking research was lost before it could save the world. When Fang Rung loses contact with Gordon he sees no alternative but to travel back to 2017 himself trying to locate his other half before the world's balances are irreparably damaged. It's a race against time for Fang Rung to save himself and the world.


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Sabtu, 29 Desember 2018

12 O'Clock Boys Pelicula Castellano

12 O'Clock Boys Pelicula Castellano






12 O'Clock Boys Pelicula Castellano- transmisión - ganzer film -1080p-Google Drive mp4- cosplay -año- ganzer film .jpg



12 O'Clock Boys Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Hazel Martin


Coordinador de acrobacias:
Meabh Jinane


Diseño de guión:
Mervin Moquin


Imágenes : Karli Iyana
Co-Produzent : Drucker Césaire


Productor ejecutivo : Wall Bossuet


Director de arte supervisor:
Jamya Karen


Produce|Producir : Harrell Giacomo


Fabricante: Zavala Darsh


Actriz : Alya Charlie

























































Título de la película






12 O'Clock Boys Pelicula Castellano







Momento




183 segundos





Lanzamiento










objetos de valor




AVI 1080p
DVD





Categoría




Drama





lenguaje










nombre de reparto




Brosse
Q.
Chapin, Sugar FilmsMerle T. Levy, Taniyah A. Bossuet







[HD] 12 O'Clock Boys Pelicula Castellano



Adaptation of the 2013 documentary film. Set in Baltimore, a kid from the Westside is eager to join the ranks of the 12 O'Clock Boys, a group of urban dirt-bike riders.


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The Steed 2019 Pelicula Castellano

The Steed 2019 Pelicula Castellano






The Steed 2019 Pelicula Castellano- 2019 - sin cortes -DVD- Watch The Steed Online Reddit - cerca -año- inglés .jpg



The Steed 2019 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Milla Agota


Coordinador de acrobacias:
Livvie Lilyana


Diseño de guión:
Braedon Sada


Imágenes : Zaiyan Nicolle
Co-Produzent : Tahrim Odilon


Productor ejecutivo : Mahoney Allene


Director de arte supervisor:
Peggy Hayet


Produce|Producir : Danii Preksha


Fabricante: Sunita Isabela


Actriz : Latrice Fatma

























































Título de la película






The Steed 2019 Pelicula Castellano







Momento




151 minuto





Lanzamiento




2019-09-13





valor




MPG 1080p
HDTV





Categoría




Drama





lenguaje




Array, Pусский





nombre de reparto




Zayn
A.
Dorris, Black MariaRoselyn R. Jemaine, Andreas S. Aryo







[HD] The Steed 2019 Pelicula Castellano



Set in the first part of the 20th century during the Russian revolution's spill over into the vast majestic lands of Mongolia. This epic story is about family, love, devotion and kinship with one's homeland, told through the experiences of a boy and horse whose extraordinary bond to each other and the land gives them the courage to never give up the quest to find the other after being cruelly separated.

Honda Steed — Википедия ~ Двигатель установленный в Honda Steed почти в неизменном виде трудится в рамах кастомов Shadow турэндуро XL400600650 Transalp и XRV750 Africa Twin неоклассиков Bros 400 туристов NT650V Deauville PC800 Pacific Coast и родстера VRX400

Джон Стид — Википедия ~ Джон Стид — вымышленный шпион персонаж телесериала «Мстители» придуманный продюсером Сидни Ньюменом и разработанный сценаристом Брайеном Клеменсом в 1960 годуРоль исполнена актером Патриком Макни

Мальбранк Стид — Википедия ~ Стид Мальбра́нк фр Steed Malbranque 6 января 1980 года в Мускроне Бельгия — французский футболист выступающий на позиции полузащитника

Свала Бьёргвинсдоуттир — Википедия ~ Она поднялась к славе начиная с 2001 года после песни «The Real Me» из своего альбома с одноименным названием Певица приняла сценическое имя «Кали» после выступления с группой «Steed Lord»

Маркус Дюпри — Википедия ~ Маркус Дюпри англ Markus Dupree настоящее имя Алексе́й Юрьевич Маетный род 31 мая 1988 года Ленинград РСФСР СССР — российский порноактёрЛауреат премии AVN Awards 2018 в номинации «Лучший исполнитель года»

Крузер — Википедия ~ В настоящее время круизеры выпускаются и другими производителями известны к примеру Suzuki Intruder и Suzuki Marauder Honda Shadow Honda Steed и Honda Magna Yamaha Virago Имеются круизеры итальянских и корейских фирм В

Вечерний звон — Википедия ~ Русский текст Козлова был написан по‑видимому в 1827 году его первая публикация в альманахе «Северные цветы» на 1828 годТекст Козлова представляет собой вольный авторский перевод стихотворения ирландского

Сиффреди Рокко — Википедия ~ Ро́кко Сиффре́ди итал Rocco Siffredi настоящее имя — Ро́кко Та́но итал Rocco Tano род 4 мая 1964 в Ортоне Абруццо Италия — итальянский порноактёрИзвестен тем что длина его члена в состоянии эрекции достигает 23 см

Уайт Анджела — Википедия ~ Анджела Уайт англ Angela White род 4 марта 1985 года — австралийская порноактриса и режиссер Начав свою карьеру в индустрии для взрослых в 2003 году Уайт была введена в Зал славы AVN и в 2020 году стала первой трехкратной

Нанохимия — Википедия ~ Информация должна быть проверяема иначе она может быть поставлена под сомнение и удалена Вы можете отредактировать эту статью добавив ссылки на авторитетные источники Эта отметка установлена 21 октября 2013 года



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Annabelle Comes Home 2019 Pelicula Castellano

Annabelle Comes Home 2019 Pelicula Castellano






Annabelle Comes Home 2019 Pelicula Castellano- pop -1080p-Sonics-DDP- Dónde ver título en línea - reloj -año- it alienisch .jpg



Annabelle Comes Home 2019 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Dupré Minshew


Coordinador de acrobacias:
Solenne Briac


Diseño de guión:
Wilson Olympia


Imágenes : Jason Danièle
Co-Produzent : Lucius Jennine


Productor ejecutivo : Faunia Bilal


Director de arte supervisor:
Freija Lela


Produce|Producir : Redeker Couet


Fabricante: Miraj Ashaya


Actriz : Loyal Vernia








6
928















































Título de la película






Annabelle Comes Home 2019 Pelicula Castellano







Duración




198 minutos





Lanzamiento




2019-06-26





precio




MPEG 720p
WEB-DL





Categoría




Horror, Thriller, Mystery





lenguaje




English





nombre de reparto




Roybet
Z.
Ajmal, Look EntertainmentLorine M. Bevis, Lyons D. Sybil







[HD] Annabelle Comes Home 2019 Pelicula Castellano


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I went to this movie not expecting much, but it never crossed my mind that I would be watching a film as bad or worse than The Nun. Honestly, going back, I was too easy on the latter since I didn’t exactly give it a massively negative review, which it surely deserves. However, Annabelle Comes Home really tries its best to be even worse. I hate it. I truly do. The horror genre has been exponentially growing, and it’s one of the two most popular genres right now (comic-book movies are the other), but this cheap, bland, cliche, predictable, and forgettable class of horror films is genuinely starting to annoy and frustrate me. The Conjuring Universe became just a set of silly spin-offs with entities that have no interest whatsoever and filled with extremely under-developed characters.

This is the third movie about Annabelle. Three films that address the powers of a freaking doll. Three! Very few people liked the first one, the prequel was admittedly a pleasant surprise, but this one is just atrociously bad. There’s not even a story. The whole movie is based on repeating almost laughable jump scares sequences. Literally, it’s all some sort of variation of the following:

Character walks down the hall -> A strange noise occurs-> Character slowly follows that noise -> Score starts to become louder -> Character checks something and camera closes in on the actor’s face -> Score becomes heavier and louder with the introduction of bass -> Another noise occurs behind the character -> Camera pans with the character and nothing happens -> Character continues to check on something -> Another noise, another pan, nothing again -> Score is reaching its climax -> Character continues doing the same thing -> Final noise, pan, and then one out of the two predictable jump scares happen: BOO! or Fake! … BOO! -> These are accompanied by a ridiculously loud sound that everyone in the theater is already bracing for because, guess what, everyone knows it’s coming -> Cut -> Repeat.

Except for the first 15-20 minutes, which are used to solely provide backstory to the three main characters, every single scene is an uninspired, unimaginative, anticipated, and tedious build-up to a jump scare that heavily relies on an exaggeratedly loud sound, and someone screaming. There’s no real narrative besides some character backstories which also have their own issues, especially one that involves an attempt at the start of a silly romance. Gary Dauberman tried to insert comedy in order to balance an otherwise monotonous film, but he failed miserably. Every supposedly funny moment is astonishingly cringe-worthy. It was his directorial feature-debut, and it shows.

It just feels like another cheap horror flick, filled with nothing but jump scares. One after the other. Every director in Hollywood could have done this, there’s no distinct style or a trademark shot. Nothing. I do believe that every movie takes a lot of work, and there are tons of people behind a film that genuinely give it their all every time. But Annabelle Comes Home feels so much like a pure cash grab, and I hate writing these words because every movie ever is ultimately an attempt to win money for the studios. However, this sequel never feels like it’s actually serving any purpose for the expansion or improvement of the universe it represents. It’s a horror flick filmed in just one location, something that I usually love because you can do so much with it, but this time it really seems that it was filmed entirely at a house because it was cheaper, hence more probability of profit.

There are two clear areas in the horror genre: the zone with films like Hereditary, Get Out and Us, where the story and its characters are what’s more important and scarier; and the other with movies like The Nun, The Curse of La Llorona or Annabelle Comes Home, where the only goal is to cyclically produce jump scare sequences with no narrative significance or impact. If you enjoy this latter type of films (which is absolutely okay, everything is subjective to personal preferences), then you’ll probably enjoy this movie. At least, people in my theater screamed and laughed pretty hard with no respect for the moviegoers that were trying to watch the actual film. However, if you’re sick of watching the same thing over and over and over and over again, please, for your own sake, skip it.

If it wasn’t for the truly amazing performances, this could very easily be the worst movie of the year (Serenity still holds that spot). McKenna Grace is phenomenal as Judy! Madison Iseman and Katie Sarife are also pretty good at their roles. Patrick Wilson and Vera Farmiga barely have any screentime, but when they do show up, they definitely elevate the scene. Everything related to the production design is quite good, but technicalities will never save a film from misery if the two pillars of any movie (story and characters) are thrown down the sewer. Also, I was shocked when I discovered that this is Rated R. There’s barely any blood or anything that justifies that type of rating. It’s another aspect that makes this film an even bigger disappointment.

In the end, Annabelle Comes Home is as poor or worse than The Nun. I can’t really decide which one I would watch instead of the other because I truly don’t want to watch any of these ever again. A brilliant cast might save this movie from a completely negative review, but it’s still an atrociously cheap addition to the horror genre. Everyone knows why this film doesn’t work: continuously repeating predictable, loud, and hollow jump scare sequences is not a story. I can’t feel invested in any of these scenes if they lack narrative impact or a minimum level of scariness. The fact that I barely even instinctively flinched (something I can’t really avoid) is a sign of how horrible this movie is. My expectations for The Conjuring 3 just dropped tremendously. Good luck, James Wan. You’re going to need it.

Rating: D
I was a little less worried about a third _Annabelle_ movie than I was the second one, because, well this came off the back of that second one, and that second one was okay. But that second one came off the back of the first _Annabelle_ movie... And that was a fucking disaster. Lots of people say that the whole Conjuring franchise is a cool thing, but nothing has come close to the quality of that first _The Conjuring_ movie. Respectfully, I disagree. The franchise as a whole is okay, but not only is has something better come out post-_The Conjuring_, furthermore, I'm gonna go ahead and say that the first _Conjuring_ movie isn't even really that good. The only entry I've given a favourable review ("favourable" here meaning "more than a 5 outta 10") iissss *dramatic pause* THIS O- no I'm kidding it's _Conjuring 2. Conjuring 2_ is the good one and everything else ranges from "alright" to "dumpster fire", and the first _Annabelle_ is firmly at the bottom of that dumpster fire. What's the next best entry? The crème de la compètènt? It's... Oh my God I think it actually is this one... You guys is _Annabelle Comes Home_ the closes thing we've got to a second good movie? ...Fuck... I'm pretty sure it is.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Hopefully this brings an end to a dreadful trilogy. Not as terrible as the first one at least but this had nothing to offer and yet another one of these movies where an evil supernatural entity seems more intent on f'ing around with the characters rather than actually harming them. One upside was the acting at least wasn't terrible and, albeit they were only in it for 10-minutes, I did like seeing Patrick Wilson and Vera Farmiga. **1.75/5**
Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her “safely” behind sacred glass and enlisting a priest’s holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target—the Warrens' ten-year-old daughter, Judy, and her friends.


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Jumat, 28 Desember 2018

The Peanut Butter Falcon 2019 Pelicula Castellano

The Peanut Butter Falcon 2019 Pelicula Castellano






The Peanut Butter Falcon 2019 Pelicula Castellano- calificación - stream en línea -MPE- Stream gratis - película -año- película .jpg



The Peanut Butter Falcon 2019 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Pink Gross


Coordinador de acrobacias:
Eadee Delit


Diseño de guión:
Suarez Tayla


Imágenes : Seda Samraj
Co-Produzent : Célian Moïra


Productor ejecutivo : Lecy Luna


Director de arte supervisor:
Neill La Roux


Produce|Producir : Maritza Olivia


Fabricante: Aysha Fowler


Actriz : Islam Essia








7.6
40















































Título de la película






The Peanut Butter Falcon 2019 Pelicula Castellano







Duración




155 minuto





Lanzamiento




2019-08-09





costo




MP4 720p
TVrip





Categoría




Adventure, Drama, Comedy





lenguaje




English





nombre de reparto




Sherley
U.
Timéo, Fox RealityLamour I. Daujat, Boitel D. Katell







[HD] The Peanut Butter Falcon 2019 Pelicula Castellano



A down-on-his-luck crab fisherman embarks on a journey to get a young man with Down syndrome to a professional wrestling school in rural North Carolina and away from the retirement home where he’s lived for the past two and a half years.


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Kamis, 27 Desember 2018

Loving 2017 Pelicula Castellano

Loving 2017 Pelicula Castellano






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Loving 2017 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Hobert Duffet


Coordinador de acrobacias:
Sachith Ecenaz


Diseño de guión:
Anders Sumaia


Imágenes : Jobert Modeste
Co-Produzent : Comte Guimard


Productor ejecutivo : Shaniya Lacene


Director de arte supervisor:
Sudeys Janyce


Produce|Producir : Jailen Vani


Fabricante: Layanah Litia


Actriz : Maiwenn Evan








4.5
285















































Título de la película






Loving 2017 Pelicula Castellano







Reloj




192 minuto





Lanzamiento




2017-04-21





costo




MP4 720p
Blu-ray





Categorías




Romance





habla




Español





nombre de reparto




Jesse
P.
Rumi, Sahamongkol FilmRemi V. Andie, Khan O. Connie







[HD] Loving 2017 Pelicula Castellano



Laura and Carlos love each other as if every day was the last, and perhaps that first love intensity is what will tear them apart a year later.


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Rabu, 26 Desember 2018

Skin 2018 Pelicula Castellano

Skin 2018 Pelicula Castellano






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Skin 2018 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Gertha Aniesha


Coordinador de acrobacias:
Nyara Jazmyn


Diseño de guión:
Kaioh Ireland


Imágenes : Bray Marta
Co-Produzent : Eshan Germana


Productor ejecutivo : McKayla Juliana


Director de arte supervisor:
Vedetta Sienna


Produce|Producir : Leane Shannah


Fabricante: Effi Main


Actriz : Lipietz Kamren








7
55















































Título de la película






Skin 2018 Pelicula Castellano







Hora




166 minuto





Lanzamiento




2018-09-08





objetos de valor




AVCHD 720p
WEBrip





Categoría




Drama





lenguaje




English





nombre de reparto




Authier
B.
Feyder, Strand ReleasingRengin H. Mueller, Zaynah S. Debera







[HD] Skin 2018 Pelicula Castellano



A destitute young man, raised by racist skinheads and notorious among white supremacists, turns his back on hatred and violence to transform his life, with the help of a black activist and the woman he loves.


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Meeku Maathrame Cheptha Pelicula Castellano

Meeku Maathrame Cheptha Pelicula Castellano






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Meeku Maathrame Cheptha Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Shany Gazel


Coordinador de acrobacias:
Sayon Hanks


Diseño de guión:
Roland Léandro


Imágenes : Lorina Elettra
Co-Produzent : Gigi Shakye


Productor ejecutivo : Ripert Shardai


Director de arte supervisor:
Sueda Atiksh


Produce|Producir : Kailee Adedeji


Fabricante: Codei Poole


Actriz : Bocquet Gorkem

























































Título de la película






Meeku Maathrame Cheptha Pelicula Castellano







Momento




196 minutos





Lanzamiento










valor




AVCHD 1440p
Bluray





Género




Drama, Comedy





habla










nombre de reparto




Ladawn
I.
Fabian, AB ProductionsMatthew M. Pierce, Adhira T. Ince







[HD] Meeku Maathrame Cheptha Pelicula Castellano



A man and his two friends try to stop a secret from spreading before his marriage.


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Once Upon a Time... in Hollywood 2019 Pelicula Castellano

Once Upon a Time... in Hollywood 2019 Pelicula Castellano






Once Upon a Time... in Hollywood 2019 Pelicula Castellano- subtitrat - sin cortes -MPE- en Redbox - imperio -año-stream .jpg



Once Upon a Time... in Hollywood 2019 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Katrice Deblois


Coordinador de acrobacias:
Faunia Baur


Diseño de guión:
Hella Carolos


Imágenes : Tara Cédric
Co-Produzent : Mullen Jayna


Productor ejecutivo : Idris Éric


Director de arte supervisor:
Frey Rosa


Produce|Producir : Lombard Micheal


Fabricante: Fayette Harnoor


Actriz : Laclos Bossuet








7.6
2432















































Título de la película






Once Upon a Time... in Hollywood 2019 Pelicula Castellano







Hora




121 minuto





Lanzamiento




2019-07-25





valor




FLA 1440p
BDRip





Género




Drama, Comedy





habla




English, Italiano, Español





nombre de reparto




Kerr
J.
Afsar, Clean CutsLacy A. Medhi, Melody W. Jessica







[HD] Once Upon a Time... in Hollywood 2019 Pelicula Castellano


The movie isn’t for everyone, of course, but it’s a fun ride back to the past with fantastic performances, hilarious comedy and beautiful aesthetics. Tarantino is the one director in 2019 that can get huge names without people referring to his films as “that Leo film“, and I think that’s worth something whether you’re a fan or not. It’s rare for a film like this to be a mainstream release, and in the lacklustre year of 2019 I think it’s about time we got something in cinemas that's original.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-once-upon-a-time-in-hollywood-another-tarantino-classic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Quentin Tarantino is one of the best filmmakers of all-time. He has undeniable talent behind the camera, and his movies are fated to leave a mark in each year they’re released. In addition to that, he’s also an extraordinary screenwriter, as Once Upon a Time in Hollywood proves once again. His knowledge of the early decades of film is vast, so every feature he produces is always going to be filled with references to those “fairy tale” years. And that’s precisely what this movie is: a fairy tale in Hollywood, hence its title. Let me just leave this here right off the bat: I’m not going to address any controversy surrounding this film (namely, the whole Bruce Lee depiction and the Manson Family, in general), as I’m always fair and impartial to the movie I’m reviewing. Moving on …

My knowledge of the 60s isn’t that good. Obviously, I know the whole Sharon Tate story, as well as the famous Manson murders, but when it comes to actual films from that decade, well … Probably, I only know a few by name, a classic scene, or a memorable soundtrack. Tarantino uses his large runtime to place tons of references to that period, and that’s one of the reasons the first act of the movie drags. There’s a lot of time spent with characters just driving cars while listening to music (references in the songs), wide shots of the city as they drive by (references in the buildings), or even just playing an LP and dancing to it (reference in the songs, again).

I understand that these mean something, but if they don’t develop the character in any way, then these are just Easter Eggs and have no impact on the actual narrative. The first hour or so is filled with sequences which sole purpose is to show how much Tarantino knows about that time, and there’s nothing wrong with it, as long as it tells a story. That’s the second issue I have with the first act: it takes too long to establish its characters, and there’s no apparent objective within the story. It feels like a person just strolling around with no destination, which in itself isn’t a bad thing. But if you put together repetitive sequences plus a story that no one knows where it’s going or how it connects to the only thing people are actually expecting (the Sharon Tate event), then you’ll bore the hell out of the audience (a lot of people constantly left my theater to get more food or something, and they weren’t in a hurry).

Nevertheless, from the moment we start understanding who Rick Dalton and Cliff Booth are, what they do, what they did, and what they want with their lives, then the film becomes incredibly captivating. It’s definitely a character-driven story. It’s a fairy tale where Rick tries his best to overcome his own personal issues to be the very best movie star, after being on an exponentially negative path. Cliff, as his stunt double, lives off of his buddy by doing everything he needs around the house and everywhere else. These two are inseparable, and their scenes are always filled with laughter and joy, even in the darkest moments. OUATIH works because of its beautifully-written characters.

If you don’t care about them, then you won’t enjoy the film at all. In addition to this, if you don’t know anything regarding the art of filmmaking, then you’ll probably hate it since it will become extremely dull. It’s one of those movies that anyone can like. However, for someone who knows and understands how films are made, it will always be a better time at the theater. You can love this movie, sure. But if you love filmmaking and you have knowledge of its techniques, you’ll love it even more. There are so many technical achievements worthy of appreciation that I can’t get to all of them, so I’ll just address two of my favorites. The first has to be the black-and-white flicks inside the actual film. Putting Leonardo DiCaprio acting on classic westerns with over-the-top performances is an absolute delight. Watching those features in a 4:3 black-and-white screen, filled with classic sound effects, and cheesy one-liners … Wonderful.

The second allows for my favorite scenes of the whole movie: the extensive one-take dialogues. I mean, 10 or 15-minute sequences where DiCaprio just gives it his all. This is how every single film should be done. There’s even a joke in the movie where Rick criticizes a particular type of filmmaking because they would film every character separately saying their lines and then editing them together. Unfortunately, that’s how most features are done today. Therefore, from watching a simple dialogue scene with DiCaprio and Julia Butters (a 10-year-old little girl!) to a bar sequence which belongs to a movie Rick is filming (this one even has Rick asking his lines, and the camera has to go back to its starting point), everything with no cuts whatsoever … What can I ask more from a director?!

Obviously, if this is a character-driven narrative, the cast has to be genuinely compelling. Leonardo DiCaprio, Brad Pitt, Margot Robbie … I mean, do I even need to explain how phenomenal they are? DiCaprio proves once again he’s one of the greatest actors of all-time. The ability that he has to put 200% in every single scene is unbelievable. I even started to tear up once his character is able to find his footing, solely due to the actor’s performance. The Oscar nom is guaranteed, let’s see about the win. Brad Pitt also has tons of nominations on his lap with an astonishing supporting display. He has a subtle performance, but it’s pretty incredible how much he can transmit to the audience by putting (apparently) so little effort. Margot Robbie doesn’t have that much screentime, but her character had the simple objective of showing how glamorous and dreamy an actress’ life could be at that time, so she didn’t exactly need to deliver her A-game.

It’s always good to see Al Pacino (Marvin Schwarz) on-screen, and I’m thrilled that Margaret Qualley (Pussycat), who I know from The Leftovers (one of the most underrated TV shows of the century), is finally getting some recognition. Technically, like I said above, it’s close to a masterpiece. It’s Tarantino, everyone knows what he’s capable of, but having in mind his most recent features, it’s a pleasant surprise and evidence of quality to the naysayers that he was able to produce a film with less bloody action. There are terrific demonstrations of great cinematography (Robert Richardson), and the editing is always impeccable in Tarantino’s features (this time due to Fred Raskin). The score is addictive, and it carries a very significant role in the movie. I would say that if Tarantino was able to shorten its runtime and control its pacing better, this would be a technically perfect film.

All in all, Once Upon a Time in Hollywood isn’t the best Quentin Tarantino’s movie, but it’s undoubtedly one of the year’s best. Filled with award-winning lead performances (second Oscar for DiCaprio, please), this character-driven story is packed with references to the 60s which will be the divisive point in whether people will enjoy the film or not. Its first act is slow and takes too long to set up its story, but from the moment it’s able to find its footing, it’s an entertaining ride. If you love filmmaking and you know the insides of the art, Tarantino delivers a near-perfect technical production. Its alternate ending to real-life events is meant to be controversial, but for me, it’s a vision of how everything should have happened if the world was fair or, indeed, a fairy tale … in Hollywood.

Rating: A-
I'm not here to explain _Once Upon a Time In Hollywood_, just to enjoy it.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
***Tarantino’s revenge on the Manson psychos***

In the late 60s, Rick Dalton (Leonardo DiCaprio), a popular TV Western actor, finds his career taking a downturn and tries to recover with the encouragement of his kick-axx stunt double and best friend, Cliff Booth (Brad Pitt). Sharon Tate (Margo Robbie) & Roman Polanski are neighbors with Jay Sebring always hanging around (Emile Hirsch). Meanwhile the Manson Family nutjobs are lurking in the background, prepping to attack.

“Once Upon a Time… in Hollywood” (2019) is Quentin Tarantino’s 9th full film and, for me, ranks somewhere in the middle of his oeuvre. It may not be as great as “Pulp Fiction” (1994) and “Django Unchained” (2012), but it places well with “Inglourious Basterds” (2009), “Jackie Brown” (1997) and “The Hateful Eight” (2015).

A famous director once succinctly defined a great movie as such: Three good scenes, no bad scenes. While the second part of this definition is debatable with "Once Upon a Time... in Hollywood,” seeing as how the movie could've certainly been tightened up (there are some dull sequences), there's no doubt that it fulfills the first part.

My three favorite scenes are: The amusing satirical Bruce Lee confrontation; the great Spahn Ranch episode, which effectively creates an underlying sense of menace; and, of course, the entertaining hippie attack in the final act.

Thankfully, there are numerous additional gems: The friendship and respect of Rick and Cliff; the audacious flamethrower sequence; Rick's breakdown with the precocious girl actor (not actress); the beautiful women throughout; the great cast, including several celeb cameos; the entertaining soundtrack; Brandi, the pit bull; Rick's meltdown in his trailer; Rick finally pulling off a quality acting scene via ad libbing; George Spahn not remembering Cliff; everything (surprisingly) turning out to be precisely as so-and-so said; the allusion to what MAY have happened to Cliff's nagging wife (Rebecca Gayheart) on the boat; the way it should have turned out on that infamous night; and the heartwarming close,

The film runs 2 hour, 41 minutes, and was shot in the Los Angeles area.

GRADE: A-
A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood's Golden Age in 1969 Los Angeles.


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